Introduction to Schillinger

I’m going to start by outlining the aspects of the system. For starters, I’m listing the table of contents; I’ll later break this down into separate sections with explanatory text discussing the meaning of his cryptic sounding terms. Hopefully I can provide some correlation of the techniques within the vocabulary and theoretical world of a classically trained musician.

Once this broad goal is accomplished, or perhaps as I go, I will consider some potential programming implementations of the techniques within the software musicians frequently use today.